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Reading Surimono: The Interplay of Text and Image in Japanese Prints libro completo online

Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008


Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 en pdf descargar gratis John Carpenter libros descargar pdf gratis - Le téléchargement de ce bel Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 livre et le lire plus tard. Êtes-vous curieux, qui a écrit ce grand livre? Oui, John Carpenter est l'Autor pour Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008. Ce livre se composent de plusieurs pages 432 páginas. BRILL ACADEMIC PUB (1 noviembre 2008) est la société qui libère Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 au public. 1 noviembre 2008 est la date de lancement pour la première fois. Lire l'Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 maintenant, il est le sujet plus intéressant. Toutefois, si vous ne disposez pas de beaucoup de temps à lire, vous pouvez télécharger Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 à votre appareil et vérifier plus tard.. Si ha decidido buscar o leer este libro, a continuación encontrará información detallada de Reading Surimono: The Interplay of Text and Image in Japanese Prints (Inglés) Tapa dura – Ilustrado, 1 noviembre 2008 para su referencia.

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de John Carpenter

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This full-colour catalogue illustrates and describes over 300 surimono (privately published deluxe Japanese prints) belonging to the Graphics Collection of the Museum of Design Zurich, which were recently placed on long-term loan to the Museum Rietberg Zurich. Originally bequeathed to the Museum of Design by the Swiss collector Marino Lusy (1880-1954), the collection includes many rare and previously unpublished examples. Edited by John T. Carpenter, with contributions from a distinguished roster of Edo art and literary specialists, this groundbreaking scholarly publication investigates surimono as a hybrid genre combining literature and art. Introductory essays treat issues such as text-image interaction and iconography, poetry and intertextuality, as well as the operation of Kabuki fan clubs and poetry circles in late 18th and early 19th century Japan. Other essays document Lusy's accomplishments as a talented lithographer inspired by East Asian art, and as an astute collector who acquired prints from Parisian auction houses and dealers in the early 20th century. Translations of kyoka (31-witty verse) that accompany images are given for all prints. The volume also includes a comprehensive index of poets with Japanese characters. This publication is not only indispensable to specialists in ukiyo-e, but has much to offer any reader interested in traditional Japanese art and literature.


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